One year since ‘Here Today, Gone Tomorrow. – A Life in Dance’ was published – and what a year it has been ! We have been overwhelmed by the positive, and enthusiastic response from dance critics, dance writers and dance archivists all over the world. We have thrilled to have renewed contact with former colleagues and company members and also to have made new friends and new contacts.  Our thanks go out to all.

The latest issue of the prestigious New York magazine, Ballet Review, has just appeared with a review of Christina’s book Here Today, Gone Tomorrow- A Life in Dance. Ilona Landgraf writes ” Gallea Roy writes candidly, uneuphemistically, with a gorgeously dry sense of humour that comes sparkling through. She provides informative insight into the personalities of renowned ballet teachers at the time in Paris, depicts the daily...

Ballet Nice Mediterraneé and the Cannes Dance Academy-Rosella Hightower were among those presenting new productions this spring. Christina’s review of these will be published in the June issue of the Dancing Times.

Overseas reviews for Here Today, Gone Tomorrow- A Life in Dance have already appeared in Germany, Austria and Australia, and now Brolga- An Australian Journal about Dance has just published a review by Alan Brissenden. He writes enthusiastically that the book ” is a great read, a valuable record of a unique enterprise. There is a good index and the plentiful illustrations include some stunners by Anthony Crickmay. Get hold of a...

“This is a fascinating story and I’d go so far as to call it an important one” – Jane Simpson’s review in Britain’s foremost dance website dancetabs has just come out. ( see www.dancetabs.com -features  for the full review) It is now followed byanother by Graham Watts in LondonDance ( see www.londondance.com – features). Graham Watts writes “Christina Gallea Roy’s descriptive detail provides...

Christina visited the Avignon Festival in July to review Sidi Larbi Cherkaoui’s newest production. PUZ/ZLE was performed at the Carriere de Boulbon, the disused stone quarry outside of Avignon made famous by Peter Brooke’s production of The Mahabharata in 1995. The review of PUZ/ZLE appears in the September edition of Dancing Times. READ MORE